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תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן | Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan (1877)

Contributed by: Unknown, Aharon N. Varady (transcription)

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady

תפילת עזריה חנניה ומישאל בתוך הכבשן | The Prayer of Azaryah, Ḥananyah, and Mishael from within the Furnace, according to the Aramaic text of Divrei Yeraḥmiel (ca. 12th c.)

Contributed by: Moses Gaster, Yeraḥmiel ben Shlomo, Unknown, Aharon N. Varady (transcription)

The prayer of Azaryah and his song of praise with Ḥananyah, and Mishael from within the Furnace (also known as “the song of the three holy children”) found in Aramaic in the Divrei Yeraḥmiel (the Chronicles of Jeraḥmeel, Oxford Bodleian Heb d.11).

The Prayer of Azariah and the Song of the Three Holy Children, according to the Judeo-Aramaic text found in Divrei Yeraḥmiel, vocalized and cantillated, with a new English translation by Isaac Gantwerk Mayer

Contributed by: Yeraḥmiel ben Shlomo, Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)

The Prayer of Azariah and the Song of the Three Holy Children, one of the apocryphal Additions to Daniel, is an interpolation into the third chapter of the book of Daniel. The editor has here included a new vocalized and cantillated edition of the Aramaic text preserved in the 12th century Divrei Yeraḥmiel (Oxford Bodleian Heb d.11 transcribed by Rabbi Dr. Moses Gaster). The language of this passage is an odd synthesis of Targumic, pseudo-Biblical Aramaic, and even some Syriac forms, so the editor’s vocalization is aiming for a happy medium of all the possibilities.

אֲמַר יִצְחָק | Amar Yitsḥaq (Announced Isaac) — a targum-piyyuṭ for introducing the fifth of the ten commandments on Shavuot

Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown

This piyyut, “Amar Yitsḥaq,” was originally written as an introduction to the fifth commandment, the commandment of honoring your father and mother. In the eyes of the payṭan, the quintessential example of honoring your father is an incredibly morbid one — Isaac, encouraging his father to go through with it on the altar and begging him to strike true, so that the sacrifice isn’t rendered unfit! It incorporates midrashic narratives about Isaac’s total willingness to go through with the sacrifice, as well as his longing for his mother in the process. To our modern eyes it is quite a disturbing work! But it’s worth remembering that there were many cases in medieval Europe of Jewish parents so desperate and terrified on account of the Crusades that they killed their own children rather than have them submit to baptism. Perhaps this poem provided those who heard such horrific stories some comfort.

💬 קִינַת שְׁאֵלָה בַּת יִפְתָּח | The Lamentation of Sh’élah bat Yiftaḥ — as found in Pseudo-Philo’s “Biblical Antiquities” and the Divrei Yeraḥmiel

Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Yeraḥmiel ben Shlomo, Unknown

The story of Yiftaḥ, or Jephthah, is read as the haftara for Parashat Ḥuqqat. However, in most practices the end of the story is not read. This is probably because it is horrific — because of Yiftaḥ’s foolish vow, he sacrifices his own daughter! Unlike the story of Isaac, there is no angel, no last-minute salvation. The knife falls, the girl dies. That would be bad enough, but the daughter of Yiftaḥ isn’t even named in the text! The text of Biblical Antiquities, traditionally albeit incorrectly attributed to Philo of Alexandria, is one of the more interesting and under-studied deuterocanonical works. Almost certainly written in Hebrew but preserved in its entirety only in Latin, it is an example of the genre of “rewritten Bible,” a proto-midrashic genre also found in texts such as Jubilees. It is the earliest source for a substantial number of legends that became part of the midrashic canon — from Abraham’s casting into the furnace to Dinah’s marriage to Job. And it has a unique tendency to elaborate on the stories of women in the Bible. In the case of Yiftaḥ’s daughter, Biblical Antiquities gives her three things she deserves: agency, a song, and a name. Agency, because she is a willing participant in the process of sacrifice, encouraging her father to go through with it and leaving the sages speechless. A song, because she laments the fact she will die a virgin. And a name — in the Latin text, Seila. In the Hebrew, Sheila, “asked for.”

🗐 The Martyrdom of Isaiah — additional sources for the Jewish core of the work compiled by Isaac Gantwerk Mayer

Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown

Additional early rabbinic and other sources supplementing the story of the Martyrdom of Isaiah, with attention to Isaiah being granted sanctuary in a tree.

💬 The Martyrdom of Isaiah — the Jewish core of the work, translated into Hebrew with cantillation by Isaac Gantwerk Mayer

Contributed by: Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown

The following is a cnatillated Hebrew translation of the Martyrdom of Isaiah, the Jewish core of the work — 1:1—3:12 and 5. Also included is the corresponding Geʽez text, and the preserved fragments of the Greek text when available. When proper names are mentioned in the text attested in Greek, the translation follows the Greek.

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