 Sometimes the best we can do in attributing a historical work is to indicate the period and place it was written, the first prayer book it may have been printed in, or the archival collection in which the manuscript was found. We invite the public to help to attribute all works to their original composers. If you know something not mentioned in the commentary offered, please leave a comment or contact us. 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Contributed by:
Moses Gaster, Yeraḥmiel ben Shlomo, Unknown, Aharon N. Varady (transcription) The story of Daniel and the dragon held captive by the neo-Babylonians found in Aramaic in the Divrei Yeraḥmiel (the Chronicles of Jeraḥmeel, Oxford Bodleian Heb d.11).
Contributed by:
Moses Gaster, Yeraḥmiel ben Shlomo, Unknown, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation) Daniel’s battle with the Dragon, one of the apocryphal Additions to Daniel, is affixed to the end of the book in the Septuagint. The editor has here included a new vocalized and cantillated edition of the Aramaic text preserved in the 12th century Divrei Yeraḥmiel (Oxford Bodleian Heb d.11 transcribed by Rabbi Dr. Moses Gaster). The language of this passage is an odd synthesis of Targumic, pseudo-Biblical Aramaic, and even some Syriac forms, so the editor’s vocalization is aiming for a happy medium of all the possibilities. (In several locations Divrei Yeraḥmiel uses incorrect Hebrew-specific forms, probably due to scribal error. These are here marked as a qere-ketiv split.)
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Yeraḥmiel ben Shlomo, Unknown The story of Yiftaḥ, or Jephthah, is read as the haftara for Parashat Ḥuqqat. However, in most practices the end of the story is not read. This is probably because it is horrific — because of Yiftaḥ’s foolish vow, he sacrifices his own daughter! Unlike the story of Isaac, there is no angel, no last-minute salvation. The knife falls, the girl dies. That would be bad enough, but the daughter of Yiftaḥ isn’t even named in the text! The text of Biblical Antiquities, traditionally albeit incorrectly attributed to Philo of Alexandria, is one of the more interesting and under-studied deuterocanonical works. Almost certainly written in Hebrew but preserved in its entirety only in Latin, it is an example of the genre of “rewritten Bible,” a proto-midrashic genre also found in texts such as Jubilees. It is the earliest source for a substantial number of legends that became part of the midrashic canon — from Abraham’s casting into the furnace to Dinah’s marriage to Job. And it has a unique tendency to elaborate on the stories of women in the Bible. In the case of Yiftaḥ’s daughter, Biblical Antiquities gives her three things she deserves: agency, a song, and a name. Agency, because she is a willing participant in the process of sacrifice, encouraging her father to go through with it and leaving the sages speechless. A song, because she laments the fact she will die a virgin. And a name — in the Latin text, Seila. In the Hebrew, Sheila, “asked for.”
Contributed by:
Theodotion (translation/Greek), Unknown, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation) The story of Bel and the Dragon according to the text of Theodotion, translated into biblical Hebrew.
Contributed by:
Theodotion (translation/Greek), Unknown, Aharon N. Varady (transcription), Isaac Gantwerk Mayer (translation) The story of Shoshanah & the Elders, according to the text of Theodotion translated into Biblical Hebrew.
Contributed by:
Zalman Schachter-Shalomi (translation), Unknown
Contributed by:
Unknown, David ben Yishai (traditional attribution), Isaac Gantwerk Mayer (translation) Psalm 151a is unlike any other psalm, because it is openly and clearly a description of David’s own life. He describes his childhood as the youngest of the family, and his anointing. It may have not been included as part of the Masoretic canon because this dissimilarity leads to just a whiff of pseudepigraphical overcompensation. [The psalm is designated Psalms 151a to destinguish it from the text of Psalms 151 found in the Septuagint. –ANV]
Contributed by:
Unknown, Isaac Gantwerk Mayer (translation) Psalm 154 seems to be a hymn of communal eating, very appropriate for the communal life of Qumran, but also features a very Proverbs-like anthropomorphization of Wisdom as a woman. Of the three apocryphal psalms recorded in the Dead Sea Scrolls, this one seems the most likely to have been written with sectarian intent, which may have been why it wasn’t included in the Masoretic canon.
Contributed by:
Unknown, Isaac Gantwerk Mayer (translation) Psalm 155 is an incomplete acrostic (the Dead Sea Scrolls text records it going from ב to נ, and the Syriac can be reconstructed to include up to פ) with similarities to petitionary psalms like Psalm 3, 22, and 143. It is unclear why it was not included in the Masoretic canon, but one can hazard a guess that it was just not familiar to the compilers.
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