
Sometimes the best we can do in attributing a historical work is to indicate the period and place it was written, the first prayer book it may have been printed in, or the archival collection in which the manuscript was found. We invite the public to help to attribute all works to their original composers. If you know something not mentioned in the commentary offered, please leave a comment or contact us.
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Contributed by:
Yosef Goldman, Unknown
“The personal prayer of this shaliaḥ tsibbur” with a translation of the piyyut “Oḥilah la’El” was first published on Facebook by Yosef Goldman and shared through the Open Siddur Project via its Facebook discussion group.
Contributed by:
Rabbi Julia Andelman, Lisa Exler, Unknown
This egalitarian adaptation of the Me she’Ana seliḥah for the season of Teshuvah was made by Julia Andelman and Lisa Exler in September 2004.
Contributed by:
Unknown, Isaac Gantwerk Mayer (translation)
One of the most prominent martyrs in the Chmielnicki massacres of 1648–1649 was the kabbalist and sage Yəḥiel Mikhel ben Eliezer ha-Kohen, known to posterity as the Martyr of Nemiryv. This unique poetic El Malei Raḥamim was said in his honor, and communities that fast on 20 Sivan still recite it to this day.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown
A pizmon (a seliḥah with a refrain, to be recited aloud) recited in the Sephardic rite for the seventeenth of Tammuz, Elohei Yeshuatenu, like most seliḥot for that day, features stanzas for each of the five tragedies that occurred on the day. But what’s unique about it is the legend of its author. This piyyuṭ is signed with the name Andreas, the signature of the legendary Jewish Pope Andreas, whose popular story can be found throughout the Jewish world.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Seligman Baer, Unknown
This is a transcription of “Atanu l’Kha Yotsér,” a seliḥah for the 17th of Tammuz of unknown authorship found in 13th century Ashkenazi manuscripts and translated by Isaac Seligman Baer in הסליחות לכל השנה: לפי מנהג האשכנזים Ha-Seliḥot le-khol ha-shanah: le-fi minhag ha-Ashkenazim (1865), pp. 558-561..
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Reuven Eliyahu Yisrael (translation), Unknown
“ben Adam Mah Lekha Nirdam,” of unclear origin, is the opening piyyuṭ of the Sephardic seliḥot service every morning. Drawing a parallel between the literal slumber from which the petitioner has just awoken and the metaphorical slumber of sin, it serves as a fitting introduction to the early morning liturgy. As with any piyyuṭ in such a prominent place, of course, has been translated into the colloquial for all the people to appreciate its language. The following is not only the complete Hebrew text of Ben Adam Ma Lekha Nirdam along with a new English translation, but also a rhyming Ladino translation composed by R. Reuven Eliyahu Yisrael, the spiritual leader of the Sephardic community of Craiova, Romania, and published in the aforementioned town in the year 1910 (in טראדוקסייון ליברי די לאס פואיזיאס איבראיקאאס). To demonstrate the techniques used by R. Yisrael in his translation, a literal translation of the Ladino, as well as a transcription into the Latin-script Aki Yerushalaim orthography, is also provided.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Unknown
Recited in many Sefaradi and other non-Ashkenazi rites for the seventeenth of Tammuz, this piyyuṭ, like many 17 Tammuz seliḥot, has a stanza for each of the five tragedies discussed in the mishnah. It is here included alongside an acrostic translation.
Contributed by:
Ḥayyim Obadyah, Unknown
This prayer appears on page 11-12 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. It is a variant of the prayer, “Eloheinu Shebashamayim,” a supplication read in the sephardic tradition during seliḥot. This version contains twenty-five lines as found in Sefer Selihot haShalem, Hazon Ovadia, p.48-51/. Other variations have fifty or more lines.
Contributed by:
the Masorti Movement in Israel, Unknown, Aharon N. Varady (transcription)
A pizmon in the nusaḥ hasepharadim recited at Seliḥot during the monh of Elul and Yom Kippur.
Contributed by:
David de Sola Pool, Unknown, Aharon N. Varady (transcription)
An alphabetic acrostic pizmon for seliḥot and Yom Kippur with an alphabetic acrostic English translation.
Contributed by:
Ḥayyim Obadyah, Unknown
This prayer appears on page 13-16 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. It is a variation of the piyyut Tayanu v’Tayatru albeit with a different opening line.
Contributed by:
David Asher (translation), Unknown, Aharon N. Varady (transcription)
A penitential piyyut for the fast of the 17th of Tammuz.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Mordekhai ben Shabtai, Shlomo ibn Gabirol, Unknown
Traditional Ashkenazi practice entailed the recitation of a large number of seliḥot piyyutim in every single one of the Yom Kippur ‘amidot. In many Ashkenazi communities today, these are (excepting Ma’ariv and Ne’ilah) skipped on account of time. But this has always felt like a great shame to me, because seliḥot are, in a sense, the theological and liturgical core of the Yom Kippur practice. So a while back I made a bunch of spreadsheets to compare all the attested Yom Kippur seliḥot rites as listed in Goldschmidt’s maḥzor, and designed an abbreviated cycle of seliḥot for Shaḥarit, Musaf, and Minḥah. Each cycle features two regular seliḥot, one ‘aqedah (a retelling of the binding of Isaac), and one pizmon (a final seliḥah with a repeated refrain, sung communally), for a total of four seliḥot and five repetitions of the thirteen attributes. This is the first result of this process, for Shaḥarit. Musaf and Minḥah selections will arrive eventually, albeit probably not this year.