
Sometimes the best we can do in attributing a historical work is to indicate the period and place it was written, the first prayer book it may have been printed in, or the archival collection in which the manuscript was found. We invite the public to help to attribute all works to their original composers. If you know something not mentioned in the commentary offered, please leave a comment or contact us.
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Contributed by:
Aharon N. Varady (transcription), Unknown, Central Conference of American Rabbis [CCAR]
Contributed by:
Franz Rosenzweig (translation), Unknown, Aharon N. Varady (transcription)
The popular adjuration of the angels of peace and ministering angels, Shalom Aleikhem, in Hebrew with a German translation by Franz Rosenzweig.
Contributed by:
Unknown, Aharon N. Varady (transcription)
The poem, “He of Prayer” as published in Henry Abarbanel’s English School and Family Reader (1883), p.14, where it is attributed to the newspaper The Jewish Times, a New York newspaper that circulated from 1869-1877.
Contributed by:
Binyamin Benisch ben Yehudah Loeb ha-Kohen, Unknown, Aharon N. Varady (transcription), Anonymous (translation)
A prayer for protection and blessing offered in the name of of Rebbi Yishmael from the Sefer Shem Tov Qatan.
Contributed by:
Aharon N. Varady (transcription), Morris M. Faierstein (translation), Unknown
This is the Hebrew text of a teḥinah for Shalom Aleikhem intended for women lighting candles on the commencement of Shabbat and festival days as found on the last page in the Basel edition of the [collection of prayers entitled] Birkhat ha-Mazon (Basel: Waldkirch, 1600). The English translation is by Rabbi Dr. Morris M. Faierstein as published in “An Early Modern Version of Shalom Aleichem for Women after Friday Candle Lighting” in Women in Judaism, 19(2), on page 4.
Contributed by:
Unknown, Aharon N. Varady (transcription)
A litany of angelic names recorded in Sefer HaQanah, whose initial letters spells out the 42 letter divine name as also found in Sefer haPeliah.
Contributed by:
Unknown, Aharon N. Varady (transcription)
A litany of angelic names recorded in Sefer haPeliah whose initial letters spells out the 42 letter divine name as also found (in variation) in Sefer HaQanah.
Contributed by:
Unknown, Aharon N. Varady (transcription)
The “angels on all sides” formula included with the Bedtime Shema service in many contemporary siddurim.
Contributed by:
Unknown, Aharon N. Varady (transcription)
The origin story of Lilith as told in the Alphabet of ben Sira.
Contributed by:
Moses Gaster, Unknown, Aharon N. Varady (transcription)
A work of Jewish astrology and magic containing recipes specific to the angelic rulers of each day of the week.
Contributed by:
Aharon N. Varady (transcription), Isaac Rivkind (transcription), Unknown (translation), Unknown
The Yiddish translation of the Aramaic piyyut “Arkin” is appended to the first known printing of the Maaséh Aqdamut (Fürth 1694). The transcription is based on an earlier transcription of the Fürth 1694 printing published by Isaac Rivkind in “די היסטאָרישע אַלעגאָריע פון ר׳ מאיר שַ״ץ” (“The Historical Allegory of Rabbi Meir, shatz [Shaliaḥ Tsibur]”) the first chapter in Filologishe shriftn vol. 3 (1929), pp. 1-42. (This translation of the Aqdamut appears on pages/numbered columns 40-42.)
Contributed by:
Aharon N. Varady (transcription), Laura Lieber (translation), Unknown
“Arkin” is one of two Aramaic piyyutim read by some Ashkenazi communities at the beginning of the Torah reading on the first day of Shavuot (the other being the Aqdamut). The piyyut makes reference to an important legend featuring Mosheh experiencing an ascent in which he must wrest the Torah from angelic entities that are averse to parting with it, or loathe to giving it up, to humanity. Introducing the piyyut she translated in Jewish Aramaic Poetry from Late Antiquity (Brill: 2018), Dr. Laura Lieber writes, “This [Shavuot] poem dramatizes neither the content of revelation, as other poems here do, nor the season of its giving, as the story of Ruth does. Instead, our poet imagines God’s summoning of Moses to the heavens to receive the Torah atop Mount Sinai. God’s voice is most prominent here, although the angels also speak; Moses, however, keeps silent, and the poet depicts him with anything but aggression and bravado. The poet crafts a scene that recreates the tension of the imagined encounter: God repeatedly reassures Moses, who fears angelic aggression, but the angels also express fear of Moses, who is here depicted as having horns, which God encourages Moses to use in self-defense.”
Contributed by:
Unknown, Aharon N. Varady (transcription)
A very old tale told for the protection of pregnant women and their infant children as found in amulets from late Antiquity.
Contributed by:
Roy Kotansky (translation), Unknown, Aharon N. Varady (transcription)
Healing prayers written on a pair of amulets for the recovery of a woman named Arsinoë
Contributed by:
Aliza Arzt, Isabel Bard (translation), Unknown
The following is the Midrash l’Ḥanukkah, one of a collection of three midrashim and two megillot containing the details of the story of Ḥanukkah in the Jewish rabbinic tradition. Those already familiar with these other works will quickly recognize portions or summaries of them here albeit with precious additional information added not found anywhere else.
Contributed by:
Jason of Cyrene, Septuagint/ⅬⅩⅩ (translation), Unknown, Aharon N. Varady (transcription)
Selections from 1 Maccabees, 2 Maccabees, and Pesiqta Rabbati which inform the story of Ḥanukkah: the desecration and re-dedication of the Temple (especially as it relates to Sukkot and the Brumalia), divine intervention in the Maccabean battles, and the Rekindling of the Sacred Fire.
Contributed by:
Yaacov Maoz, Unknown, Aharon N. Varady (translation)
The popular piyyut for welcoming the Shabbat, in Hebrew with translations in Assyrian-Aramaic and English.