 Sometimes the best we can do in attributing a historical work is to indicate the period and place it was written, the first prayer book it may have been printed in, or the archival collection in which the manuscript was found. We invite the public to help to attribute all works to their original composers. If you know something not mentioned in the commentary offered, please leave a comment or contact us. 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The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The first psalm found in this partial manuscript is an acrostic psalm. It is incomplete at the beginning, missing the letters alef and bet. It also shows evidence of the Galilean dialect in the confusion between hei and ḥet, a guttural merger also found in Qumran texts and in Samaritan Hebrew. It largely focuses on the covenant with David and his rule. . . .
Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | Unknown | ❧ This is the second of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with earlier scholars suggesting a medieval pious forgery and more recent scholars suggesting an origin in or contemporaneous with the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) The second psalm found in this partial manuscript is preserved in its entirety and preserves an introductory schema found for the rest of the psalms here and likely missing from the first. Perhaps the text originally included psalms for each day in Iyyar! This psalm begins by invoking martyrdom, with the powerful image of a shephard killing his own flock. It then transitions into universalist-messianic language reminiscent of texts such as the second paragraph of Aleinu and the Rosh haShanah piyyut Va-ye’etayu, then discussing the beauty of the Torah before ending with a catena of blessings. . . .
Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | Unknown | ❧ This is the third of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with some suggesting a medieval pious forgery and others suggesting an origin in the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) Preserved in its entirety, the third psalms in Antonin 798 largely focuses on reversal of fortune. It also appears to invoke the memory of Moshe, but not by name. . . .
Contributed by Isaac Gantwerk Mayer (transcription & naqdanut) | Isaac Gantwerk Mayer (translation) | Unknown | ❧ This is the third of four apocryphal psalms from the Cairo Geniza, MS RNL Antonin 798, vocalized and cantillated per Masoretic norms, and translated anew. The origin of these psalms (found in a few pages of an incomplete manuscript) is unclear, with some suggesting a medieval pious forgery and others suggesting an origin in the Qumran community. (In any case, no sign of them has been found in the Qumran scrolls, although some aspects of the Hebrew may suggest a relationship there.) Preserved in its entirety, the third psalms in Antonin 798 largely focuses on reversal of fortune. It also appears to invoke the memory of Moshe, but not by name. . . .
Contributed by Unknown | David ben Yishai (traditional attribution) | Isaac Gantwerk Mayer (translation) | ❧ Psalm 151a is unlike any other psalm, because it is openly and clearly a description of David’s own life. He describes his childhood as the youngest of the family, and his anointing. It may have not been included as part of the Masoretic canon because this dissimilarity leads to just a whiff of pseudepigraphical overcompensation. [The psalm is designated Psalms 151a to destinguish it from the text of Psalms 151 found in the Septuagint. –ANV] . . .
Contributed by Unknown | Isaac Gantwerk Mayer (translation) | ❧ Psalm 154 seems to be a hymn of communal eating, very appropriate for the communal life of Qumran, but also features a very Proverbs-like anthropomorphization of Wisdom as a woman. Of the three apocryphal psalms recorded in the Dead Sea Scrolls, this one seems the most likely to have been written with sectarian intent, which may have been why it wasn’t included in the Masoretic canon. . . .
Contributed by Unknown | Isaac Gantwerk Mayer (translation) | ❧ Psalm 155 is an incomplete acrostic (the Dead Sea Scrolls text records it going from ב to נ, and the Syriac can be reconstructed to include up to פ) with similarities to petitionary psalms like Psalm 3, 22, and 143. It is unclear why it was not included in the Masoretic canon, but one can hazard a guess that it was just not familiar to the compilers. . . .
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