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The path of the righteous man (הַדֶרֶךְ שֶׁל הַצָדִיק Ha-derekh shel ha-tsadiq) — from the film The Bodyguard (1976), adapted by Jules Winnfield in the film Pulp Fiction (1994)

Contributed by Shmueli Gonzales (transcription) | Aharon N. Varady (translation) | Unknown | ❧

Tired of people who can’t tell their ḳiddish (blessings for the Sabbath) from their ḳaddish (prayer for the dead)? Well, it sets Samuel L. Jackson off too! But he found a way of making a bracha (blessing) and mourning the dead at the same time. Now I can’t vouch for the origins of his nusaḥ (custom) but it sounds very effective! Most people haven’t noticed, the only real part from the Bible is that last section, the first part is actually his own spiel: . . .

“Just Walk Beside Me” (לֵךְ פָּשׁוּט לְצִדִּי | امشي بجانبي | נאָר גיין לעבן מיר), lines from an unknown author circulating in 1970; Jewish adaptation with translations in Aramaic, Hebrew, Yiddish, and Arabic

Variations of the original three lines culminating with “…walk beside me…” first appear in high school yearbooks beginning in 1970. The earliest recorded mention we could find was in The Northern Light, the 1970 yearbook of North Attleboro High School, Massachusetts. In the Jewish world of the early to mid-1970s, a young Moshe Tanenbaum began transmitting the lines at Jewish summer camps. In 1979, as Uncle Moishy, Tanenbaum published a recording of the song under the title “v’Ohavta” (track A4 on The Adventures of Uncle Moishy and the Mitzvah Men, volume 2). . . .

Óró sé do bheatha abhaile | הוֹי בָּרוּך הַבָּא הַבַּֽיתָה (Hoy! Barukh ha-Ba ha-Baitah) — adapted by Pádraig Pearse (1916; Hebrew translation by Isaac Gantwerk Mayer)

Contributed by Pádraig Pearse | Unknown | Isaac Gantwerk Mayer (translation) | ❧

“Óró sé do bheatha abhaile” is one of the most popular Irish rebel songs. Adapted from a folk song (with possible 18th century Jacobite origins), the most popular modern version, written by the poet and republical activist Pádraig Pearse and sung by the Irish Volunteers during the 1916 Easter Rising, is full of messianic and biblical imagery that makes it ripe for adaptation into a Hebrew piyyut. Presented here is “Hoy! Barukh Ha-Ba Ha-Bayta,” a Hebrew adaptation singable to the original melody. . . .

Gaudeamus Igitur | אָז עוֹדֶֽנּוּ צְעִירִים | Az Odenu Tse’irim (So, let us rejoice), a Hebrew translation by Isaac Gantwerk Mayer of De Brevitate Vitæ (1287)

Contributed by Christopher S. Morrissey (translation) | Unknown | Isaac Gantwerk Mayer (translation) | ❧

An original Hebrew translation of the popular medieval commercium song and graduation anthem “De Brevitate Vitæ,” more commonly known as “Gaudeamus Igitur.” First attested in 1287, this Latin poem is irrevocably associated with college life for academics all over the world. It has been translated into many languages, and this Hebrew edition can be added to the list. . . .

💬 מְגִילַּת אַנטְיוּכַס | Megillat Antiokhus for Ḥanukkah in Aramaic, translated in Hebrew, Yiddish, and English

Contributed by Tsvi Hirsch Filipowski (translation) | Unknown | Aharon N. Varady (transcription) | ❧

The Megillat Antiochus was composed in Palestinian Aramaic sometime between the 2nd and 5th century CE, likely in the 2nd Century when the memory of the Bar Kochba revolt still simmered.. The scroll appears in a number of variations. The Aramaic text below follows the critical edition prepared by Menaḥem Tzvi Kaddari, and preserves his verse numbering. The English translation by Rabbi Joseph Adler (1936) follows the Hebrew translation in the middle column, the source of which is a medieval manuscript reprinted by Tzvi Filipowsky in 1851. Adler and Kaddari’s verse ordering loosely follows one another indicating variations in manuscripts. Where Aramaic is missing from Kaddari’s text, the Aramaic version from Adler’s work is included in parentheses. Adler also included a Yiddish translation which we hope will be fully transcribed (along with vocalized Hebrew text, a Hungarian translation, and perhaps even a Marathi translation from South India) for Ḥanukkah 5775 , G!d willing. . . .

💬 מגילת אנטיוכס עם טעמי מקרא | Megillat Antiokhus, with a novel cantillation by Isaac Gantwerk Mayer (translation by Tsvi Filipowski, 1851)

Contributed by Tsvi Hirsch Filipowski (translation) | Unknown | Aharon N. Varady (transcription) | Isaac Gantwerk Mayer (translation) | ❧

Perhaps Megillat Antiokhus could be read a la Esther on Purim (the holiday with the most similarities), going to Eicha trope in the upsetting parts. A few notes: on the final mention of Bagris the Wicked I included a karnei-farah in the manner of the karnei-farah in Esther. I also included a merkha kefulah in the concluding section, which (according to David Weisberg’s “The Rare Accents of the Twenty-Eight Books”) represents aggadic midrash material. It also serves as a connection to the Chanukah haftarah, which is famously the only one that has a merkha kefulah. –Isaac Mayer . . .

💬 סֵפֶר פְּטִירָת מֹשֶׁה | ሞተ ፡ ሙሴ | Motä Musē (the Book of the Passing of Mosheh), in Ge’ez with Hebrew and English translation

Contributed by Jacques Faïtlovitch (translation) | Unknown | Isaac Gantwerk Mayer (translation) | ❧

The text of the Betä ʾƎsəraʾel legend of the death of Moses, translated to Hebrew by Jacques Faïtlovitch, and vocalized, cantillated, and translated into English by Isaac Gantwerk Mayer. . . .

💬 מעשה טוביה ליום שני של שבועות | The Story of Toḇiyah for the second day of Shavuot

Contributed by Moses Gaster | Unknown | Aharon N. Varady (transcription) | Isaac Gantwerk Mayer (translation) | ❧

The story of Toviah (Tobit) in Hebrew translation, in an abridged version arranged for public reading on the second day of Shavuot. . . .

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