
Sometimes the best we can do in attributing a historical work is to indicate the period and place it was written, the first prayer book it may have been printed in, or the archival collection in which the manuscript was found. We invite the public to help to attribute all works to their original composers. If you know something not mentioned in the commentary offered, please leave a comment or contact us.
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Contributed by:
Gabriel Kretzmer Seed (translation), Isaac Leeser (translation), Unknown, Isaac Gantwerk Mayer (transcription & naqdanut)
“Bore ‘Ad Anah” is a ḳinah recited in a number of Sephardic communities on Tishah b’Av (or in some cases on Shabbat Hazon, the Shabbat preceding Tishah b’Av), particularly in the Spanish-Portuguese and North African traditions. The author is unknown, but his name is likely Binyamin based on the acrostic made up of the first letters of the verses. In the kinah, the Children of Israel are compared to a wandering dove caught in a trap by predators, crying out its father, God. The ḳinah was likely written as a poignant response to the Spanish Inquisition, appropriate to Tishah b’Av since the expulsion of the Jews from Spain occurred on the 9th of Av in the year 1492. The version presented here was likely censored, as many manuscripts have the fifth verse presented in the following manner directly calling out their Catholic oppressors,” יועצים עליה עצות היא אנושה זרים העובדים אלילים שלושה אם ובן ורוח כי אין להם בושה גדול ממכאובי.” “They counsel against her and she languishes, the strangers who worship three idols, father, son and spirit, for they have no shame and great is my suffering.”
Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut)
A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya.
Contributed by:
Yaaqov Mosheh Ḥai Altarats (translation), Unknown, Isaac Gantwerk Mayer (translation)
A Ladino translation of Brikh Shmei d’Marei Alma.
Contributed by:
Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation), Reuven Eliyahu Yisrael (translation), Unknown
“ben Adam Mah Lekha Nirdam,” of unclear origin, is the opening piyyuṭ of the Sephardic seliḥot service every morning. Drawing a parallel between the literal slumber from which the petitioner has just awoken and the metaphorical slumber of sin, it serves as a fitting introduction to the early morning liturgy. As with any piyyuṭ in such a prominent place, of course, has been translated into the colloquial for all the people to appreciate its language. The following is not only the complete Hebrew text of Ben Adam Ma Lekha Nirdam along with a new English translation, but also a rhyming Ladino translation composed by R. Reuven Eliyahu Yisrael, the spiritual leader of the Sephardic community of Craiova, Romania, and published in the aforementioned town in the year 1910 (in טראדוקסייון ליברי די לאס פואיזיאס איבראיקאאס). To demonstrate the techniques used by R. Yisrael in his translation, a literal translation of the Ladino, as well as a transcription into the Latin-script Aki Yerushalaim orthography, is also provided.
Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
A quadrilingual text of U-N’taneh Tokef — Yiddish, Ladino, English, and Hebrew.
Contributed by:
Unknown, Isaac Gantwerk Mayer (transcription & naqdanut), Isaac Gantwerk Mayer (translation)
The mantra-like piyyut “Ēin k-Ēlohēinu,” a praise of God’s attributes and uniqueness featuring incremental repetition, is found in siddurim as far back as the siddur of Rav Amram, and may date back to the Hekhalot literature. Many versions of it have been compiled in different languages, most famously Flory Jagoda (zç”l)’s Judezmo variant “Non como muestro Dyo.” Here the editor has compiled traditional Yiddish and Ladino translations, as well as developed new Aramaic and Arabic translations for this piyyut. The post-piyyut verses used in both the Ashkenazi and Sephardic rites have been included.
Contributed by:
Unknown, Estampado por Ǧ. Griffit, Aharon N. Varady (transcription)
To the best of my ability, this is a faithful transcription of Psalms 1 from תהילים או לוס סאלמוס ; טריסלאד’אד’וס דיל לשון הקדש אין לה לינגואה ספרדית (Tehillim, or the Psalms, translated from the Holy language [Hebrew] into the Sephardic language, Estampado por Ǧ. Griffit 1852/3) from a digital copy made available by the Sephardic Studies Collection at the University of Washington. Please join me in making a complete transcription of this Ladino translation of Psalms. –Aharon N. Varady
Contributed by:
Unknown, Estampado por Ǧ. Griffit, Aharon N. Varady (transcription)
To the best of my ability, this is a faithful transcription of Psalms 2 from תהילים או לוס סאלמוס ; טריסלאד’אד’וס דיל לשון הקדש אין לה לינגואה ספרדית (Tehillim, or the Psalms, translated from the Holy language [Hebrew] into the Sephardic language, Estampado por Ǧ. Griffit 1852/3) from a digital copy made available by the Sephardic Studies Collection at the University of Washington. Please join me in making a complete transcription of this Ladino translation of Psalms. –Aharon N. Varady
Contributed by:
Unknown, Estampado por Ǧ. Griffit, Aharon N. Varady (transcription)
Psalms 10:16 is parts of the eighth and ninth verses of the prayer, Yehi Kavod in Pesukei Dezimra, part of Baruch Hashem L’Olam in Maariv, and part of the Bedtime Shema. Psalms 10 is considered part of Psalms 9 in the Septuagint, the Greek targum (translation) of the Tanakh.