Variations of the original three lines culminating with “…walk beside me…” first appear in high school yearbooks beginning in 1970. The earliest recorded mention we could find was in The Northern Light, the 1970 yearbook of North Attleboro High School, Massachusetts. In the Jewish world of the early to mid-1970s, a young Moshe Tanenbaum began transmitting the lines at Jewish summer camps. In 1979, as Uncle Moishy, Tanenbaum published a recording of the song under the title “v’Ohavta” (track A4 on The Adventures of Uncle Moishy and the Mitzvah Men, volume 2). . . .

A prayer for the welfare of the government in Yiddish from A Naye Shas Tkhine Rav Pninim (after 1933). . . .

This is a faithful transcription of the א תְּחִנָה פאר א שטיף מוטער (“A Tkhine for a Stepmother”) which first appeared in ש״ס תחנה חדשה (Shas Tkhine Ḥadasha), a collection of tkhines published by Ben-Zion Alfes in Vilna, 1922. . . .

“Tsaar Balei Ḥayyim” ([It is forbidden to cause] suffering to a living creature), source unknown. Many thanks to Tiferet Zimmern-Kahan for recording the niggun for the song and to Naftali Ejdelman and The Jewish Daily Forward for providing the lyrics. . . .

A revolutionary socialist, Yiddish adaptation of Hallel. . . .

A tkhine in the event of an epidemic. . . .

The author of this tkhine intended for women to begin their morning devotional reading of prayers by first accepting patriarchal dominion. Women compensate for their inherent weakness and gain their honor only through the established gender roles assigned to them. The placement of this tkhine at the beginning of the Shas Tkhine Rav Peninim, a popular collection of women’s tkhines published in 1916 (during the ascent of women’s suffrage in the U.S.), suggests that it was written as a prescriptive polemic to influence pious Jewish women to reject advancing feminist ideas. . . .

“Women who Have Bad Luck with Children Should Recite this Tkhine” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Rokhel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can translate Yiddish, please help to translate it and share your translation with an Open Content license through this project. . . .

This is a faithful transcription of the תחנה פון ליכט בענטשין (“Tkhine for Lighting Candles [for Shabbes]”) as it appeared in the Vilna, 1869 edition. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can scan an image of the page from the 1869 edition this was originally copied from, please share your scan with us. . . .

A prayer for a pregnant woman that she not suffer a miscarriage. . . .

This is a faithful transcription of the תְּחִנָּה מִגְדַּל הַשֵּׁן (“Tkhine for a Baby’s First Tooth”) which first appeared in ש״ס תחנה חדשה (Shas Tkhine Ḥaḥadasha), a collection of tkhines published by Ben-Zion Alfes in Vilna, 1922. . . .

A prayer for a pregnant woman whose childbirth is immanent. . . .

A prayer for a pregnant woman approaching her childbirth. . . .

“Tkine for a Mother Who Leads Her Child to Kheyder” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. Please offer a translation of this tkhine in the comments. . . .

“Tkine for a Mother Who Leads Her Child to Kheyder” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. Please offer a translation of this tkhine in the comments. . . .

“Tkhine for when a Woman Goes to Immerse in the Mikve” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can translate Yiddish, please help to translate it and share your translation with an Open Content license through this project. . . .

A compilation of Jewish women’s prayers in Yiddish published in Vilna in 1910, with prayers attributed to Rokhl Esther bat Aviḥayil, a Jewish woman living in Jerusalem. . . .

“A Tkhine for a Kaleh before the Khupe” by an unknown author is a faithful transcription of the version published in Rokhl m’vakoh al boneho (Rokhel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . .

This tkhine offers a formula for providing relief to a very ill person, and as such, should only be used as a supplement to recommendations provided by an expert physician or nurse. The source of the tkhine is Tkhine of a Highly Respected Woman, Budapest, 1896; and transcribed from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. . . .

The paraliturgical tkhine for the new month of Nissan read on the shabbat preceding the new moon during the blessing over new month. . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אִיָיר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Iyyar”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ תַּמוּז (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tamuz”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מְנַחֵם אָב (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Menaḥem Av”) as printed in Shas Tkhine Ḥodoshe (1910) and תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow & Brothers Romm, Vilna 1872/3, 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). Using Shas Tkhine Ḥodoshe as her source, Moreh Zakutinsky probably had not seen the additional paragraph in the earlier printing. –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אֶלוּל (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Elul”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מַרְחֶשְׁוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Marḥeshvan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ כִּסְלֵו (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Kislev”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ טֵבֵת (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tevet”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ שְׁבָט (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Shvat”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר רִאשׁוֹן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar I”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar [II]”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

A tkhine for when biting the pitom from the etrog . . .

This tekhina (supplication) upon candlelighting for Shavuot in Hebrew and Yiddish appears in the Maḥzor for Shavuot Rav Peninim (Vilna 1911) although we are uncertain whether it first appeared here. We welcome your help in correctly attributing and translating it. . . .

A prayer for a childless woman seeking to conception. . . .

A tkhine (supplication) for a bride to say before their wedding, transcribed and translated from the Siddur Qorban Minḥah (1897). . . .

A tkhine (supplication) for a mother to say before her daughter’s wedding, transcribed and translated from the Siddur Qorban Minḥah (1897). . . .

The “Tkhine of the Gate of Tears” by an unknown author presented here derives from the Vilna, 1848 edition. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can scan an image of the page from the edition this was copied from, please share it with us. . . .

Master of all realms! You hear from all worlds. You look with love and grace upon all of your creations for whose sake you created Your world. Seize and fulfill the pure request from Your servant who comes before You after a full week, having shown her heart is full and her mood somber. The beloved Shabbes koidesh is already going away, and with our Shabbes, our rest has also disappeared. A new week comes up to meet us, against us, Master of the universe. We are people who know, just like You know, the heavy and difficult life of Your people Yisruel: their bitter mood, how difficulty and bitterly each Jew acquires his meager piece of bread through worry and heartache, the fear and hardship with which each Jew scrapes together his seemingly hopeless living. . . .

The teḥinah for the blessing of the new moon is said each Shabbat Mevorkhim, addition to the specific teḥinah for that month. The prayer is recited when the Aron HaKodesh is opened, signifying the opening of the Heavenly gates of mercy (an especially propitious time to pray for health, livelihood, and all good). . . .

This Western Yiddish alphabetical adaptation of Adir Hu is first found in the 1769 Selig Haggadah, under the name of “Baugesang” (meaning Building Song). It grew to be a beloved part of the Western Ashkenazi rite, to the point where the traditional German Jewish greeting after the Seder was “Bau gut,” or “build well!” . . .

This is Dr. Morris Faierstein’s transcription and translation of one of the earliest teḥinot from the earliest surviving edition of the Tsenah u-Re’enah (Basel/Hanau 1622) as found in his article “The Earliest Published Yiddish Tehinnot (1590–1609)” in Hebrew Union College Annual, 2020, Vol. 91 (2020). The transcription of the Yiddish sourcetext is found on page 206 and the English translation is found on page 187. The translation is shared under the libre Open Access license (Creative Commons Attribution) provided for the critical translation of the text in Ze’enah U-Re’enah: A Critical Translation into English (Volume 96 in the series Studia Judaica, ed. Morris M. Faierstein; De Gruyter 2017). . . .

The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . .

Making sense of Ḥad Gadya beyond its explicit meaning has long inspired commentary. For me, Ḥad Gadya expresses in its own beautiful and macabre way a particularly important idea in Judaism that has become obscure if not esoteric. While an animal’s life may today be purchased, ultimately, the forces of exploitation, predation, and destruction that dominate our world will be overturned. Singing Ḥad Gadya is thus particularly apropos for the night of Passover since, in the Jewish calendar, this one night, different from all other nights, is considered the most dangerous night of the year — it is the time in which the forces of darkness in the world are strongest. Why? It is on this night that the divine aspect of Mashḥit, the executioner, is explicitly invoked (albeit, only in the context of the divine acting as midwife and guardian/protector of her people), as explained in the midrash for Exodus 12:12 . . .

A quadrilingual text of U-N’taneh Tokef — Yiddish, Ladino, English, and Hebrew. . . .

The Megillat Antiochus was composed in Palestinian Aramaic sometime between the 2nd and 5th century CE, likely in the 2nd Century when the memory of the Bar Kochba revolt still simmered.. The scroll appears in a number of variations. The Aramaic text below follows the critical edition prepared by Menaḥem Tzvi Kaddari, and preserves his verse numbering. The English translation by Rabbi Joseph Adler (1936) follows the Hebrew translation in the middle column, the source of which is a medieval manuscript reprinted by Tzvi Filipowsky in 1851. Adler and Kaddari’s verse ordering loosely follows one another indicating variations in manuscripts. Where Aramaic is missing from Kaddari’s text, the Aramaic version from Adler’s work is included in parentheses. Adler also included a Yiddish translation which we hope will be fully transcribed (along with vocalized Hebrew text, a Hungarian translation, and perhaps even a Marathi translation from South India) for Ḥanukkah 5775 , G!d willing. . . .

The mantra-like piyyut “Ēin k-Ēlohēinu,” a praise of God’s attributes and uniqueness featuring incremental repetition, is found in siddurim as far back as the siddur of Rav Amram, and may date back to the Hekhalot literature. Many versions of it have been compiled in different languages, most famously Flory Jagoda (zç”l)’s Judezmo variant “Non como muestro Dyo.” Here the editor has compiled traditional Yiddish and Ladino translations, as well as developed new Aramaic and Arabic translations for this piyyut. The post-piyyut verses used in both the Ashkenazi and Sephardic rites have been included. . . .

This is a faithful transcription by the Yehoyesh Project of the Yiddish translation of Psalms 2 made by Yehoyesh Shloyme (Yehoash Solomon) Blumgarten (1870-1927) published in Torah, Neviʼim, u-Khetuvim vol. 2 (New York: Yehoʼash Farlag Gezelshaft, 1941). The complete transcription of Torah, Neviʼim, u-Khetuvim by the Yehoyesh Project in copy/pasteable and searchable plaintext may be found here. . . .