A prayer for a pregnant woman that she not suffer a miscarriage. . . .

This is a faithful transcription of the תְּחִנָּה מִגְדַּל הַשֵּׁן (“Tkhine for a Baby’s First Tooth”) which first appeared in ש״ס תחנה חדשה (Shas Tkhine Ḥaḥadasha), a collection of tkhines published by Ben-Zion Alfes in Vilna, 1922. . . .

A prayer for a pregnant woman whose childbirth is immanent. . . .

A prayer for a pregnant woman approaching her childbirth. . . .

“Tkine for a Mother Who Leads Her Child to Kheyder” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. Please offer a translation of this tkhine in the comments. . . .

“Tkine for a Mother Who Leads Her Child to Kheyder” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. Please offer a translation of this tkhine in the comments. . . .

“Tkhine for when a Woman Goes to Immerse in the Mikve” by an unknown author is a faithful transcription of the tkhine published in Rokhl m’vakoh al boneho (Raḥel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can translate Yiddish, please help to translate it and share your translation with an Open Content license through this project. . . .

A compilation of Jewish women’s prayers in Yiddish published in Vilna in 1910, with prayers attributed to Rokhl Esther bat Aviḥayil, a Jewish woman living in Jerusalem. . . .

“A Tkhine for a Kaleh before the Khupe” by an unknown author is a faithful transcription of the version published in Rokhl m’vakoh al boneho (Rokhel Weeps for her Children), Vilna, 1910. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. . . .

This is the traveling song Gerer Chassidim would sing on their way to see the Gerrer Rebbe in Góra Kalwaria, Poland before World War Ⅱ. . . .

This tkhine offers a formula for providing relief to a very ill person, and as such, should only be used as a supplement to recommendations provided by an expert physician or nurse. The source of the tkhine is Tkhine of a Highly Respected Woman, Budapest, 1896; and transcribed from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. . . .

The sephardic folk-song “Kuando el rey Nimrod” in Ladino with English translation. . . .

This prayer for the well-being of the Kaiser (Emperor) Nikolai II and his family appears in the siddur Shir Ushvaḥah (1889) . . .

“God Save the Queen” is an adaptation of “God Save the King,” a work by an unknown author, first circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation was published in a pamphlet circulated by New Road (Whitechapel) Synagogue in 1892 “on the 73rd Birthday of Her Majesty Queen Victoria,” an event attended by then chief rabbi of the British Empire, Rabbi Dr. Hermann Adler​. . . .

The paraliturgical tkhine for the new month of Nissan read on the shabbat preceding the new moon during the blessing over new month. . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אִיָיר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Iyyar”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ סִיוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Sivan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ תַּמוּז (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tamuz”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877) before its adaptation in Shas Tkhine Ḥadashe (Ben-Tsiyon Alfes 1910), the source from which this translation was made. English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

This is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מְנַחֵם אָב (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Menaḥem Av”) as printed in Shas Tkhine Ḥodoshe (1910) and תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow & Brothers Romm, Vilna 1872/3, 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). Using Shas Tkhine Ḥodoshe as her source, Moreh Zakutinsky probably had not seen the additional paragraph in the earlier printing. –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אֶלוּל (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Elul”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ מַרְחֶשְׁוָן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Marḥeshvan”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ כִּסְלֵו (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Kislev”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ טֵבֵת (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Tevet”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ שְׁבָט (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Shvat”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר רִאשׁוֹן (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar I”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

To the best of my ability, this is a faithful transcription of the תְּחִנָה לְשַׁבָּת מְבָרְכִים רֹאשׁ חוֺדֶשׁ אַדָר (“Tkhine for Shabbat Mevorkhim Rosh Ḥodesh Adar [II]”) which appeared in תחנות מקרא קודש (Teḥinot Miqra Qodesh, Widow and Brothers Romm, Vilna 1877). English translation adapted slightly from Techinas: A Voice from the Heart “As Only A Woman Can Pray” by Rivka Zakutinsky (Aura Press, 1992). –A.N. Varady . . .

The poem, “He of Prayer” as published in Henry Abarbanel’s English School and Family Reader (1883), p.14, where it is attributed to the newspaper The Jewish Times, a New York newspaper that circulated from 1869-1877. . . .

A prayer for the French Emperor, Napoleon III, a year before he was captured by the Prussians in the doomed Franco-Prussian War of 1870, including the formula of the prayer, haNoten Teshuah, as adapted for Napoleon III. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Ḥatsi Ḳaddish before Barkhu that used to be found in many traditional Ashkenazi siddurim. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Barkhu of Shaḥarit that used to be found in many traditional Ashkenazi siddurim. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qedushah of Shaḥarit that used to be found in many traditional Ashkenazi siddurim. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qadish Shalem of Shaḥarit that used to be found in many traditional Ashkenazi siddurim. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Ḥatsi Qaddish of Minḥah that used to be found in many traditional Ashkenazi siddurim. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Qedushah of Minḥah that used to be found in many traditional Ashkenazi siddurim. . . .

In Jewish liturgy, some passages are dəvarim she-bi-qdusha, passages that require public communal prayer. Most famous among these are the Qaddish, Barkhu, and Qədusha. But people are not always able to pray in a community! In liturgical history both ancient and modern many different tashlumim (replacements) for these texts when praying individually have been suggested. The following is a replacement for the Barkhu of Arvit that used to be found in many traditional Ashkenazi siddurim. . . .

The African-American Christian spiritual adapted for a Pesaḥ song in Hebrew and English. . . .

A tkhine for when biting the pitom from the etrog . . .

This prayer of praise of Tsar Alexander II (1818-1881), for largely ending feudalism by emancipating the serfs of the Russian Empire was written by an unknown author and published in HaMelitz on Thursday, 28 March 1861. . . .

“Oh! fill our hearts, Almighty King” by an unknown author, published in 1856, appears under the subject “School Hymns” as Hymn 208 in Hymns Written for the Use of Hebrew Congregations (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1856), p. 208. . . .

This tekhina (supplication) upon candlelighting for Shavuot in Hebrew and Yiddish appears in the Maḥzor for Shavuot Rav Peninim (Vilna 1911) although we are uncertain whether it first appeared here. We welcome your help in correctly attributing and translating it. . . .

This is a transcription, vocalization, and translation of a manuscript of a prayer for peace in Europe held in the collection of the Columbia University Library. The prayer is undated but the language of the prayer and the use of Italian indicate to me that this was a prayer made by an Italian Jewish community during either the first Italian War of Independence 1848-9, or one of the two succeeding wars in 1860 and 1870. . . .

“Preis der Gotteslehre” is a hymn translated by Felix Adler from one found in Gebete und Gesänge zu dem von der Genossenschaft für Reform im Judenthum zu Berlin eingerichteten Gottesdienst für die Zeit zwischen dem Schewuoth- und Roschhaschanah-Fest des Weltjahres 5606/7, hymn №23, pp. 19-20 (1846) and published in Hymns, for Divine Service in the Temple Emanu-El (1871), hymn №3, pp. 6-7. We have tentatively dated this translation to 1868, since another hymn by Adler (“School-hymn, no. 36”) can be found appended from another unattributed work in A Guide to Instruction in the Israelitsh Religion (Samuel Adler, trans. M. Mayer, Temple Emanu-El, 1864, 4th printing 1868). The original hymn in German has three stanzas. . . .

“Naḥamu (Comfort Ye!),” by J.C.L., published in 1842, appears as Hymn 2 in Hymns Written for the Service of the Hebrew Congregation Beth Elohim, South Carolina (Penina Moïse et al., Ḳ.Ḳ. Beth Elohim, 1842), p. 7. . . .

A prayer for a childless woman seeking to conception. . . .

A tkhine (supplication) for a bride to say before their wedding, transcribed and translated from the Siddur Qorban Minḥah (1897). . . .

A tkhine (supplication) for a mother to say before her daughter’s wedding, transcribed and translated from the Siddur Qorban Minḥah (1897). . . .

A prayer for those traveling over water on a sea or ocean voyage. . . .

“Erhöre, Herr, mein Wort” is a hymn selected by Rabbi Gotthold Salomon, Immanuel Wohlwill, and Maimon Fraenkel for inclusion in the Hamburg Temple Hymnal (1833), hymn №300, pp. 367-368. The first three stanzas were translated by Rabbi James Koppel Gutheim and published as “Erhebung zu Gott! (Trust in God)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №2, pp. 4-5. . . .

“God Save the King” was originally written by an unknown author and circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation, “El Shemor haMelekh,” as translated by Hyman Hurwitz with an added fourth stanza, was first published in his The Etymology and Syntax of the Hebrew Language (1831), pp. 276-279, during the reign of King William Ⅳ (1765-1837). . . .

A prayer composed for honoring Napoleon Ⅰ by the emancipated Jews of France. . . .