A prayer for those traveling over water on a sea or ocean voyage. . . .

“Erhöre, Herr, mein Wort” is a hymn selected by Rabbi Gotthold Salomon, Immanuel Wohlwill, and Maimon Fraenkel for inclusion in the Hamburg Temple Hymnal (1833), hymn №300, pp. 367-368. The first three stanzas were translated by Rabbi James Koppel Gutheim and published as “Erhebung zu Gott! (Trust in God)” in his Hymns, for Divine Service in the Temple Emanu-El (1871) as hymn №2, pp. 4-5. . . .

“God Save the King” was originally written by an unknown author and circulated in three stanzas during the reign of Britain’s King George Ⅱ, circa 1745. This Hebrew translation, “El Shemor haMelekh,” as translated by Hyman Hurwitz with an added fourth stanza, was first published in his The Etymology and Syntax of the Hebrew Language (1831), pp. 276-279, during the reign of King William Ⅳ (1765-1837). . . .

A prayer composed for honoring Napoleon Ⅰ by the emancipated Jews of France. . . .

The Birkat Habayit is perhaps the most popular blessing in the Jewish world, appearing as a hanging amulet inside the entrance of many houses of Jews of all streams. I have added niqud to the blessing and I am very grateful to Gabriel Wasserman for his corrections to my vocalization. . . .

The “Tkhine of the Gate of Tears” by an unknown author presented here derives from the Vilna, 1848 edition. I have transcribed it without any changes from The Merit of Our Mothers בזכות אמהות A Bilingual Anthology of Jewish Women’s Prayers, compiled by Rabbi Tracy Guren Klirs, Cincinnati: Hebrew Union College Press, 1992. shgiyot mi yavin, ministarot nakeni. If you can scan an image of the page from the edition this was copied from, please share it with us. . . .

This is a prayer for the welfare of domesticated animals (behemot), specifically cattle. “Tefilat mashbit milḥamot v’ha-dever min ha-behemot” (HUC MS 465) was composed by an unknown author, sometime in the late 18th or early 19th century, and possibly in a Jewish community in Italy. The text contains the following clues: 1) a prayer for a local Duke (instead of the Emperor Napoleon), 2) mention of warfare, and 3) mention of some variety of epizootic contagious disease among cattle. Rinderpest, known since ancient times, is the most likely candidate for the latter, especially in Italy in the 18th century (where it was first described by early veterinary science) but it was also in Europe following the defeat of Napoleon. While typhus and hoof-and-mouth disease are also possible, Dr. Susan Einbinder, who brought our attention to this prayer via a lecture on epidemic prayers for the HUC Klau Library, notes that the biblical reference to the “bellowing of the cattle” evokes the actual tortuous lived experience of the afflicted animals, and the suffering of their human minders, helpless to relieve them. The tragedy of rinderpest only ended in the 20th century after a concerted multi-national effort to eradicate the disease — one of the earliest modern multinational initiatives to improve the world. (A related disease, Ovine Rinderpest, first described in the 20th century, has not yet been eradicated and affects goats and sheep as well as cattle.) . . .

Master of all realms! You hear from all worlds. You look with love and grace upon all of your creations for whose sake you created Your world. Seize and fulfill the pure request from Your servant who comes before You after a full week, having shown her heart is full and her mood somber. The beloved Shabbes koidesh is already going away, and with our Shabbes, our rest has also disappeared. A new week comes up to meet us, against us, Master of the universe. We are people who know, just like You know, the heavy and difficult life of Your people Yisruel: their bitter mood, how difficulty and bitterly each Jew acquires his meager piece of bread through worry and heartache, the fear and hardship with which each Jew scrapes together his seemingly hopeless living. . . .

The teḥinah for the blessing of the new moon is said each Shabbat Mevorkhim, addition to the specific teḥinah for that month. The prayer is recited when the Aron HaKodesh is opened, signifying the opening of the Heavenly gates of mercy (an especially propitious time to pray for health, livelihood, and all good). . . .

Bénissons is the French version of the well-known Bendigamos, a prayer and melody of the Spanish & Portuguese Jewish communities, most probably originating in Bordeaux, France. . . .

Kabbalistic kavvanot and blessing formulations for the eight nights of Ḥanukkah. . . .

This Western Yiddish alphabetical adaptation of Adir Hu is first found in the 1769 Selig Haggadah, under the name of “Baugesang” (meaning Building Song). It grew to be a beloved part of the Western Ashkenazi rite, to the point where the traditional German Jewish greeting after the Seder was “Bau gut,” or “build well!” . . .

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. I’m working on transcribing all of these, but to start, here’s an Al haNissim for the twenty-eighth of Shvat in Avignon. Written in rhymed prose, this text tells the story of a gentile who fell headfirst down a deep well near the synagogue, but successfully managed to flip himself over and wedged his feet in the walls. Even more miraculously, afterwards he declared that it was his own fault he fell in the pit! The Jews of the Comtat, an area under direct papal control at the time, were well aware of the tenuousness of their position, and were the man a talebearer then they could have faced a pogrom or exile. . . .

This undated 18th century prayer (before 1756) by an unknown author for “the opening of [a] lodge, etc., and used by Jewish Freemasons” was published in “Old Forms of Lodge Prayers,” The Hebrew Leader (31 December 1889), p. 4. (The Hebrew Leader regularly included news of interest to Jewish member of masonic fraternities.) The provenance of the prayer is offered in the lede: “Appended to a copy of the Constitutions of the Ancient and Honorable Fraternity of F. and A. Masons, published in 1801, by Bro. D. Longworth, at the Shakespeare Gallery, New York City (kindly loaned to us by R.W. Henry C. Banks), we find a number of forms which at the present day appear unique. These forms are spoken of as having been in use for a long period during the last century; and from them we extract two or three Prayers, one or the other of which it was customary to repeat, according to the religious faith of the members of the lodge’ which had assembled. We give them for the benefit of our readers.” The source for the prayer in its re-printed form is a 1756 work, Ahiman Rezon: or, a help to a brother; shewing the excellency of secrecy, … Together with Solomon’s temple an oratorio, as it was performed for the benefit of free-masons by Laurence Dermott (1756). . . .

A plaudit of gratitude in Latin and Hebrew for Pope Benedict XIV’s interventions after the River Tiber overflowed its banks and flooded the Jewish Ghetto in Rome. . . .

A prayer in the event of excessive raining causing economic hardship, from Mantua in 1729. . . .

This qinah, a variation of Maaseh Metz, was written by an unknown author and copied by Glikl into her memoirs. The text appearing here was made from that transcribed and published in Chava Turniansky’s critical edition, Glikl: Memoirs (1691-1719) (Shazar 2006), pp. 596-597, and Sara Friedman’s English translation of that edition, edited by Turniansky (Brandeis University Press 2019), pp. 306-307. . . .

A prayer for protection and blessing offered in the name of of Rebbi Yishmael from the Sefer Shem Tov Qatan. . . .

This is a version of the Invocation of Baraqon, a spell found in the Key of Solomon (Clavicula Solomonis) and its Hebrew translations (Mafteaḥ Shlomo). This particular variation is as found on the folios 70a-70b of a manuscript republished as ספר מפתח שלמה Sepher Maphteaḥ Shelomo (Book of the Key of Solomon): An exact facsimile of an original book of magic in Hebrew (1914) with a partial transcription translated into English by Rabbi Sir Hermann Gollancz. Claudia Rohrbacher-Stricker writes that Gollancz had located the manuscript in the collection of his father, Samuel H. Gollancz. The manuscript itself dated from around 1700 in Amsterdam, in a Sefardic script. Gershom Scholem was able to prove the Arabic origin of the Baraqon operation in “Some Sources of Jewish-Arabic Demonology,” Journal of Jewish Studies, vol. 16 (1965), p. 6. . . .

A paraliturgical birkat hamazon in Ladino. . . .

In Yemenite practice, directly after the four questions are recited the youngest literate person at the table reads a brief Judeo-Arabic passage, here transcribed per the Yemenite transliteration system (wherein gimel dagesh = j and qof = g) and translated into Arabic and Hebrew. Instructional notes say this passage is “for the benefit of women and toddlers,” the two main classes of people who would have not had access to Hebrew education at the time. . . .

This is a 17th century prayer for the Holy Roman Emperor found in Ms. 110 (Jewish Museum in Prague, Czech Republic). . . .

One of the most prominent martyrs in the Chmielnicki massacres of 1648–1649 was the kabbalist and sage Yəḥiel Mikhel ben Eliezer ha-Kohen, known to posterity as the Martyr of Nemiryv. This unique poetic El Malei Raḥamim was said in his honor, and communities that fast on 20 Sivan still recite it to this day. . . .

A prayer for a pregnant woman anticipating childbirth, from an unidentified volume of the Seder Tkhines (circa 1640-1720). . . .

This is Dr. Morris Faierstein’s transcription and translation of one of the earliest teḥinot from the earliest surviving edition of the Tsenah u-Re’enah (Basel/Hanau 1622) as found in his article “The Earliest Published Yiddish Tehinnot (1590–1609)” in Hebrew Union College Annual, 2020, Vol. 91 (2020). The transcription of the Yiddish sourcetext is found on page 206 and the English translation is found on page 187. The translation is shared under the libre Open Access license (Creative Commons Attribution) provided for the critical translation of the text in Ze’enah U-Re’enah: A Critical Translation into English (Volume 96 in the series Studia Judaica, ed. Morris M. Faierstein; De Gruyter 2017). . . .

A popular piyyut for Simḥat Torah (4th hakkafah) originally composed as a piyyut for Shavuot and often referred to by its incipit, “Mipi El.” . . .

A prayer of a pregnant woman anticipating childbirth. . . .

A prayer for a pregnant woman anticipating her childbirth. . . .

This is a transcript and translation of the Maariv service for Shabbat evening in the Old Persian rite, as recorded in MS Adler 23 ENA (https://hebrewbooks.org/20923) in the JTS Library. The Old Persian rite shows some fascinating unique linguistic features. The first thing that immediately strikes one is its tendency towards poetic extensions and doublings, even in texts (such as the Avot blessing) where most other rites are almost completely uniform. It also shows some nonstandard vocalizations that appear to be influenced by the Babylonian system of vocalization. In modern Persian communities the standard rite is a variation of the Sephardic rite used throught the Mizraḥi world, but this older rite with its unique facets deserves to be preserved as well. This is part 1 of a planned series of transcripts and translations from MS Adler 23 ENA. . . .

This is a variation of Mipi El in Hebrew with a Judeo-Arabic translation found in the Seder al-Tawḥid for Rosh Ḥodesh Nissan, compiled by Mosheh Asher ibn Shmuel in 1887 in Alexandria. . . .

Presenting the full, somewhat short text of the Megillah of Sebastiano, telling the story of a great miracle that occurred to the Jewish community of Morocco on 1 Elul 5338, or August 4 1578 CE. On that day, King Sebastian of Portugal attempted to conquer Alcácer Quibir in North Africa — and inevitably to force the inquisition on the Jews of Morocco. But he was turned back at the last moment, protecting Moroccan independence for several more centuries. This scroll is traditionally recited in Jewish communities in the Maghreb to celebrate the repulsion of the Portuguese. . . .

After the recitation of Shir haShirim — which, in some circles, is recited every Friday night — the kabbalists instituted a yehi ratzon, a petition to be recited in the merit of what was just read. In many communities, this petition is recited using the same melodies as the recitation of the scroll itself. As an extension of this custom, here I’ve added cantillation marks to the yehi ratzon after Shir haShirim. Included also is a recitation of the text following said cantillation marks. . . .

According to Joseph Judah Chorny’s On the Caucasian Jews, this acrostic piyyuṭ was customarily used as an epithalion before a wedding. He writes, “Before morning light, the bride is led to the groom’s house accompanied by many women and men, all carrying lit wax candles in their hands, and singing this song along the way.” Variants of this piyyut are found throughout the greater Sephardic world, generally in an abbreviated and slightly altered form. In Syria it is sung during the haqafot for Simḥat Torah, while in Livorno Sephardic practice (and subsequently in most Eastern Sephardic maḥzorim) it is a Shavu’ot piyyut. . . .

A piyyut in Judeo-Greek for introducing the Decalogue. . . .

“Bore ‘Ad Anah” is a ḳinah recited in a number of Sephardic communities on Tishah b’Av (or in some cases on Shabbat Hazon, the Shabbat preceding Tishah b’Av), particularly in the Spanish-Portuguese and North African traditions. The author is unknown, but his name is likely Binyamin based on the acrostic made up of the first letters of the verses. In the kinah, the Children of Israel are compared to a wandering dove caught in a trap by predators, crying out its father, God. The ḳinah was likely written as a poignant response to the Spanish Inquisition, appropriate to Tishah b’Av since the expulsion of the Jews from Spain occurred on the 9th of Av in the year 1492. The version presented here was likely censored, as many manuscripts have the fifth verse presented in the following manner directly calling out their Catholic oppressors,” יועצים עליה עצות היא אנושה זרים העובדים אלילים שלושה אם ובן ורוח כי אין להם בושה גדול ממכאובי.” “They counsel against her and she languishes, the strangers who worship three idols, father, son and spirit, for they have no shame and great is my suffering.” . . .

Behold, a full text of the Megillah of Fustat, telling a story of a great miracle that happened in 1524 CE (5284 AM). . . .

The Seder ha-Tamid, a Provençal (Nusaḥ Comtat Venaissin) siddur published in Avignon in 1766, has liturgical additions for an amazing five different local festivals — one for Avignon, and two each for Carpentras and Cavaillon. Here’s a series of piyyutim for the fifteenth of Kislev in Carpentras. On 15 Kislev 5273 (24 November 1512 Julian), a troop of armed men entered the Jewish quarter in Carpentras. While we don’t know much else beyond that, we do know that this was a terrifying enough occurrence to the Jews of Carpentras that when the armed men left, a holiday was declared with multiple piyyutim and a full recitation of Hallel. . . .

A Judeo-Moroccan Arabic (Darija) adaptation of the Passover counting song Eḥad Mi Yodeaȝ, as found in Mahzor Moȝadé Hashem. . . .

Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. Counting up to 13, it is mostly written in Hebrew, but there are versions that can be found in many different languages. This translation is in the Judeo-Italian dialect of Siena, based on Geremia Mario Castelnuovo’s 1956 recording from Leo Levi’s collection of Judeo-Italian ethnomusicological recordings. A link to the original recording can be found here. . . .

A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . .

The text of the popular Passover song “Who Knows One?” in Hebrew set side-by-side with an Aramaic translation. . . .

Eḥad Mi Yodéa is a counting-song that is a beloved part of Seders the world over. It is mostly written in Hebrew, counting up to 13, but there are versions that can be found in many different languages. This translation is in Bukhori, also known as Judeo-Tajik, as translated by the great Shimon ben Eliyahu Ḥakham (1843-1910), the chief rabbi of the Bukharan Jewish community in Jerusalem. His full translation of all liturgical additions in the month of Nisan for the Bukharan community can be found in חוקת הפסח Ḥuqat haPesaḥ (1904) – the source for this transcription on page 128-130 (see included). Shimon Ḥakham transcribed it into vocalized Hebrew script, which is included here alongside transliterations into Tajik Cyrillic and a Roman transcription. . . .

The text of the popular counting song “Who Knows One?” in its original Hebrew, with a translation in Latin. . . .

The text of the popular Passover song “Who Knows One?” in its original Hebrew and Yiddish, with a translation in English. . . .

Ḥad Gadya has a place in Seder tables throughout Arda, and in many communities it was read in translation. This translation into Quenya is necessary for any good Lothlórien sedarim. But to be serious, Quenya was one of several languages developed by J.R.R. Tolkien. It serves as the sacred ancestral language of the Noldorin elves in the Middle-Earth legendarium. The editor here has developed this adaptation of the well-known seder table-song Ḥad Gadya into Quenya, as well as a home-brewed transcription system into Hebrew script included here (PDF | ODT). This translation uses several fan-made terms, such as cuimacir for “butcher” and luhtya- for “extinguish”, as well as one original neologism, yacincë for “kid-goat.” . . .

This is the translation of Ḥad Gadya into Judeo-Valyrian with a Hebraicization schema for Valyrian by Isaac Gantwerk Mayer. . . .

In our timeline, the Kaifeng Jewish community had originally spoken Persian as their lingua franca, before adopting the Kaifeng dialect of Mandarin that their neighbors spoke. But just change a little and all of history could be different! This is a translation of Ḥad Gadya in a timeline where Judeo-Aramaic was a little more prevalent in eastern Persia all those years ago. In this timeline, instead of speaking Judeo-Persian before adopting Chinese, the Kaifeng Jews spoke Aramaic. And this dialect of Aramaic, like many other languages spoken in the greater Chinese cultural sphere, underwent tonogenesis! . . .

A translation of Ḥad Gadya into Esperanto by Erin Piateski with a Hebraicization schema for Esperanto by Isaac Gantwerk Mayer. Piateski’s translation first appeared in her כוכב ירוק הגדה של פסח | Verda Stelo Hagado de Pesaĥo (2010). . . .

Ḥad Gadya has a place in Seder tables throughout the Jewish world, and in many communities it was read in translation. The Caribbean island of Curaçao is home to the oldest Jewish community west of the Atlantic, and its local creole language of Papiamentu has substantial Jewish influence. This is a translation of Ḥad Gadya into Papiamentu, along with a transcription into Hebrew according to a new methodology for Papiamentu in Hebrew. . . .

A Judezmo/Ladino translation of the popular Passover song, Ḥad Gadya. . . .