תפילת עזריה חנניה ומישאל בתוך הכבשן | The Prayer of Azaryah, Ḥananyah, and Mishael from within the Furnace, according to the Aramaic text of Divrei Yeraḥmiel (ca. 12th c.)
Contributed by
❧The prayer of Azaryah and his song of praise with Ḥananyah, and Mishael from within the Furnace (also known as “the song of the three holy children”) found in Aramaic in the Divrei Yeraḥmiel (the Chronicles of Jeraḥmeel, Oxford Bodleian Heb d.11). . . .
💬 דָּנִיֵּאל וְהַתַּנִּין | Daniel vs. the Dragon, according to the Judeo-Aramaic text found in Divrei Yeraḥmiel, vocalized and cantillated by Isaac Gantwerk Mayer
Contributed by
❧Daniel’s battle with the Dragon, one of the apocryphal Additions to Daniel, is affixed to the end of the book in the Septuagint. The editor has here included a new vocalized and cantillated edition of the Aramaic text preserved in the 12th century Divrei Yeraḥmiel (Oxford Bodleian Heb d.11 transcribed by Rabbi Dr. Moses Gaster). The language of this passage is an odd synthesis of Targumic, pseudo-Biblical Aramaic, and even some Syriac forms, so the editor’s vocalization is aiming for a happy medium of all the possibilities. (In several locations Divrei Yeraḥmiel uses incorrect Hebrew-specific forms, probably due to scribal error. These are here marked as a qere-ketiv split.) . . .
דָּנִיֵּאל וְהַתַּנִּין | Daniel vs. the Dragon, according to the Aramaic text of Divrei Yeraḥmiel (ca. 12th c.)
Contributed by
❧The story of Daniel and the dragon held captive by the neo-Babylonians found in Aramaic in the Divrei Yeraḥmiel (the Chronicles of Jeraḥmeel, Oxford Bodleian Heb d.11). . . .
אֲדוֹן עוֹלָם (מנהג הספרדים במזרח) | Adōn Olam, translation by Annie Kantar
Contributed by
❧The piyyut, Adon Olam, in its expanded fifteen line variation, in Hebrew with English translation. . . .
אֲדוֹן עוֹלָם (מנהג הספרדים) | Adōn Olam, rhyming translation by Rabbi David de Sola Pool (1937)
Contributed by
❧A rhyming translation in English to the popular piyyut, Adon Olam. . . .
יוֹם הַבִּכּוּרִים | Yom ha-Bikkurim, the bikkur piyyut for the first day of Shavˁuot in the Old French and Romaniote Rites
Contributed by
❧A “bikkur” piyyut traditionally added at the end of Hashkivenu for Shavˁuot in the Old French (and Maḥzor Vitry) and Romaniote rites. From the acrostic we know the author was named Yosef ben Yaˁakov. Other than that we know very little about this poem’s origin and age, although its structure fits with the early Ashkenazi piyyut oeuvre. . . .
ברכה לפני קריאת תהלים | Blessing before the Recitation of Psalms (nusaḥ Erets Yisrael)
Contributed by
❧A blessing before the recitation of psalms, used in the old Eretz Yisrael rite as found in the Cairo Geniza. Since its structure is similar to the blessing before the haftara which is often cantillated, I have taken the liberty of adding psalmodic cantillation to the text. . . .
Blessing for the Reading of BaMeh Madliqin on Erev Shabbat (Cairo Geniza)
Contributed by
❧The custom of reciting BaMeh Madliqin, the second chapter of Mishnah Shabbat, on Friday nights probably originated as an anti-Karaite polemic. While the Karaites were opposed to any use of fire on Shabbat, rabbinic Jews kindle lights before Shabbat, and the recitation of BaMeh Madliqin — the laws of Shabbat lights — emphasized this distinction. One of the best firsthand sources we have for this is the following introductory blessing from the Cairo Genizah (T-S NS 299.150 verso) for the recitation of BaMeh Madliqin, first published by Naftali Wieder in this article. This blessing emphasizes the continuity of the Torah both written and oral from Sinai to the sages and elders. . . .
לְמַעַנְךָ וְלֹא לָנוּ | l’Maankha v’lo lanu (For your sake, not for ours), a piyyut by an unknown paytan (trans. Rabbi David Aaron de Sola, 1857)
Contributed by
❧This translation by Rabbi David de Aaron de Sola of “Lema’ankha v’lo lanu” by an unknown paytan was first published in his Ancient Melodies of the Spanish and Portuguese Jews (1857). . . .
אִזֵל מֹשֶׁה | Izel Mosheh (Arise, Moses) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ
Contributed by
❧This piyyut, Izel Moshe (Arise, Moses), the fifth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited after the second verse of the song proper, as an elaboration on God’s strength. The English translation preserves the Hebrew acrostic of the original. . . .
אָב הָרַחֲמִים שׁוֹכֵן מְרוֹמִים | Av haRaḥamim Shokhein Meromim, a prayer for the martyred during the First Crusade & Rhineland massacres
Contributed by
❧A prayer for those martyred in the First Crusade and Rhineland Massacres, and by extension, all subsequent pogroms up until and including the Holocaust. . . .
קרובות למוסף שבת שקלים | Ḳerovot for Musaf Shabbat Sheqalim
Contributed by
❧The traditional Ashkenazi qerovot added to the Musaf repetition for Shabbat Sheqalim, alongside a new gender-neutral translation . . .
עֲקֵדַת יִצְחָק (מנהג הספרדים) | The invocation of Aqédat Yitsḥaq (the Binding of Isaac, Genesis 22:1-19) in the morning (minhag haSefaradim)
Contributed by
❧The prayers invoking the memory of the Aqeidat Yitsḥaq (Genesis 22:1-19) in the morning preparatory prayers in the liturgical custom of the Sefaradim. . . .
עֲקֵדַת יִצְחָק (אשכנז) | The invocation of Aqédat Yitsḥaq (the Binding of Isaac, Genesis 22:1-19) in the morning (nusaḥ Ashkenaz)
Contributed by
❧The prayers invoking the memory of the Aqeidat Yitsḥaq (Genesis 22:1-19) in the morning preparatory prayers in the liturgical custom of Ashkenaz. . . .
כִּי־בַיּוֹם הַזֶּה | Ki vaYom haZeh, a Ḳaraite song for Yom Kippur
Contributed by
❧A Karaite song for the Day of Atonement (Yom Kippur). . . .
צָעֲקָה יוֹכֶבֶד | Tsa’aqah Yokheved, a piyyut attributed to Shmuel Shlomo (before 1050 CE)
Contributed by
❧The 7th of Adar is the traditional date for the yahrzeit of Mosheh Rabbeinu and it is also remembered as the day of his birth 120 years earlier. This variation of of the piyyut, Tsa’aqah Yokheved, popularly sung on 7 Adar, is first attested in a 1712 Sepharadi mahzor published in Amsterdam, as transcribed above with some minor changes with the contemporary audio recording of the Iraqi nusaḥ made by משה חבושה (Moshe Ḥavusha). (The piyyut appear without niqqud.) An older version (perhaps the original version), attributed in the Maagarim database to Shmuel Shlomo and dated before 1050 CE, is attested in two manuscripts: “London, British Library 699” and “Berlin, Staatsbibliothek, Ham. 288”. Ibn Ezra (1089-1167) quotes a stanza from the version we have presented here (“וכבד אמי אחרי התנחמי”) indicating that this version may be at least as old. . . .
קִילוּס לְפּוּרִים לִלְמְגִלָּה | Qillus l’Purim lil’Megillah — an enconium for Purim, for Megillat Esther
Contributed by
❧A Byzantine-era Aramaic piyyut for Purim, perhaps written as an introduction to the Megillah reading. It tells the narrative of the Jewish people from Abraham to the final redemption, focusing on the foes who sought to destroy us and their inevitable failure to do so. Uniquely among early-medieval poems, this one actively mentions the Romans (read: Christians) and Saracens (read: Muslims) and prays for their downfall in non-coded language. This translation loosely preserves the couplet rhyme scheme, as well as the alphabetical acrostic — perhaps with a phonetic punning reference to the name “Shlomo” at the end. . . .
הַיּוֹם תְּאַמְּצֵנוּ | haYom T’amtseinu, a piyyut for the end of musaf on Rosh haShanah and Yom Kippur
Contributed by
❧The full text of the alphabetic mesostic piyyut, Hayom, according to the Italian nusaḥ. . . .
אֵלִימֶֽלֶךְ גְּלָה | Elimelekh G’la — a Byzantine-Era Piyyuṭ Retelling the Book of Ruth
Contributed by
❧“Elimelekh G’la” is a Byzantine-era Western Aramaic poetic retelling of the Book of Ruth. It was probably originally used as part of the liturgy for Shavuot, perhaps as a poetic addition to the recitation of a Targumic interpretation of the Book of Ruth. (The verses from Ruth and Psalms appended to the coda of the piyyuṭ would suggest such a Sitz im Leben.) But in any case, it has a great acrostic structure and rhyme scheme, and ought to be preserved! Here is included a vocalized text, largely based on the unvocalized text compiled in Jewish Palestinian Aramaic Poetry from Late Antiquity (ed. Yahalom and Sakaloff, 1999) where it’s the tenth poem recorded. ‘ve added a rhyming poetic translation that preserves the Hebrew acrostic. Credit to Laura Suzanne Lieber’s literal translations of these poems (in Jewish Aramaic Poetry from Late Antiquity: Translations and Commentaries, 2018), which have served as a very helpful resource for the project. . . .
מדרש הגדול על פרשת תרומה | Why the Mishkan Resembles the World and the Human Body: a translation of Midrash haGadol on Parashat Terumah, by Shir Yaakov Feit (in memory of Laurie Feit, z”l)
Contributed by
❧This translation was prepared by Shir Yaakov Feinstein-Feit in loving memory of his sister, Laurie Feit, z”l, (1961-2017). “Midrash HaGadol or The Great Midrash (Hebrew: מדרש הגדול) is an anonymous late (14th century) compilation of aggadic midrashim on the Pentateuch taken from the two Talmuds and earlier Midrashim of Yemenite provenance. In addition, it borrows quotations from the Targums, and Maimonides[2] and Kabbalistic writings (Oesterley & Box 1920), and in this aspect is unique among the various midrashic collections. This important work—the largest of the midrashic collections—came to popular attention only relatively recently (late 19th century) through the efforts of Jacob Saphir, Solomon Schecter, and David Zvi Hoffman. In addition to containing midrashic material that is not found elsewhere, such as the Mekhilta of Rabbi Shimon bar Yochai, the Midrash HaGadol contains what are considered to be more correct versions of previously known Talmudic and Midrashic passages.” (via wikipedia) . . .
אַחֵֽינוּ | Aḥeinu (Our siblings)
Contributed by
❧“Aḥeinu” is the final prayer in a set of supplications recited on Mondays and Thursdays as the Torah scroll is being prepared to be returned to the Aron. The prayer is first found with variations in wording in the surviving manuscripts of the Seder Rav Amram Gaon (ca. 9th c.). . . .
ברכת המזון ליום הכפורים | Poetic Birkat haMazon for the break-fast meal after Yom Kippur, as found in British Library MS Or. 9772 D
Contributed by
❧A poetic Birkat haMazon text for the breakfast after Yom Kippur found in British Library MS Or. 9772 D. All the opening words of the alphabetical acrostic are from Psalms 111. . . .
ברכת המזון לחול ולשבת | Birkat haMazon for Weekdays and on Shabbat from the Cairo Genizah fragment Or.1080 15.4
Contributed by
❧A birkat haMazon found in the collection of Cairo Geniza fragments at the University of Cambridge library. . . .
ברכת המזון לחנוכה | Poetic Birkat haMazon for Ḥanukkah, reconstructed from multiple Cairo Geniza manuscripts by Isaac Gantwerk Mayer
Contributed by
❧This is a reconstruction of a liturgy for a Birkat haMazon for Ḥanukkah witnessed in multiple Cairo Geniza manuscripts, including Cambridge, CUL: T-S H4.13; T-S H6.37; T-S 8H10.14; T-S NS 328.56; T-S NS 328.61; T-S AS 101.293; New York, JTS: ENA 2885.7; Oxford: MS heb. e.71/27 – MS heb. e.71/32; St. Peterburg: Yevr. III B 135. . . .
ברכת המזון לפורים | Poetic Birkat haMazon for Purim, according to the Cairo Geniza fragment T-S H6.37 vocalized and translated by Isaac Gantwerk Mayer
Contributed by
❧This is a reconstruction of a liturgy for a Birkat haMazon for Purim witnessed in the Cairo Geniza fragment T-S H6.37 (page 1, recto and verso). . . .
ברכת המזון לפסח | A poetic Birkat haMazon for Pesaḥ, from the Cairo Geniza (CUL T-S H11.88 1v)
Contributed by
❧This is a poetic Birkat haMazon for Pesaḥ, from the Cairo Geniza (CUL T-S H11.88 1v). Much thanks to the work of Dr. Avi Shmidman, whose 2009 doctoral thesis is the foundational work for poetic Birkat haMazon studies. He marks it as Piyyut 64, and his Hebrew-language commentary begins on page 394 of his work. I’ve included two translations of the poetic portions — one literal and one preserving the acrostic and rhyme scheme. . . .
אֲשֶׁר בָּרָא יֵין עָסִיס | Asher Bara Yayin ‘Asis — a Poetic Extension of the Blessing over Wine for the Passover Seder (ca. 9th c.)
Contributed by
❧The following piyyut seems to have been customarily used in some Babylonian communities as an extensive replacement for the “creator of the vine-fruit” opening of the kiddush. Rav Saadia Gaon forbade it for being an alteration of the talmudic formula, but his successor Rav Hai Gaon permitted it for its cherished status. No communities today have preserved a custom of reciting it, but in 1947 Naphtali Wieder (zçl) published a text he found in the Cairo Geniza, which is replicated and translated below. Daniel Goldschmidt (zçl) suggests that it may be in it of itself a compilation of two different rites. The conjunction point is marked below with a black line. . . .
וְאָהִימָה מִיָּמִים יָמִימָה | v’Ahimah Miyamim Yamimah: I Will Wail for All Time (translated by Hillary and Daniel Chorny)
Contributed by
❧“V’ahimah Miyamim Yamimah” is a ḳinah that recounts the tragic tale of the children of Rabbi Yishmael as told in the Babylonian Talmud (Gittin 58a). The handsome brother and fair sister were separated and sold into slavery during the conquest of Jerusalem. Their respective masters, not knowing the two were siblings, paired them with the intent of creating beautiful offspring. In their shared cell, the two wept all night until morning, when they recognized one another. They cried on each other’s necks until their souls departed from their bodies. The narrator of our story laments their terrible fate, ending each verse with a haunting refrain: “And so I will wail for all time.” . . .
אָבִינוּ שֶׁבַּשָּׁמַיִם | Avinu Shebashamayim, an acrostic supplication recited during Seliḥot
Contributed by
❧This prayer appears on page 11-12 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. It is a variant of the prayer, “Eloheinu Shebashamayim,” a supplication read in the sephardic tradition during seliḥot. This version contains twenty-five lines as found in Sefer Selihot haShalem, Hazon Ovadia, p.48-51/. Other variations have fifty or more lines. . . .
נחמו נחמו עמי | Naḥamu, Naḥamu Ami (Comfort, comfort, my people), a piyyut for Tishah b’Aḇ
Contributed by
❧This beautiful piyyut of unknown authorship is recited in most Sephardic, Mizrahi and Yemenite traditions on Tisha B’ab at Minḥah. In its stanzas, rich and replete with biblical references (as is particularly common in Sephardic Piyyut), God speaks to Jerusalem and promises to comfort her, and comfort and redeem her people. . . .
תפלת אחר הקמת המצבה, מנהג ק״ק פרעסבורג יצ״ו | Prayer after the Unveiling of a Tombstone, according to the custom of the Jewish community of Pressburg
Contributed by
❧A prayer for unveiling a tombstone, according to the custom of the Jews of Pressburg. . . .
בִּסְעוּדָה הַזּוֹ | At this meal! – a piyyut for the Passover seder translated by Rabbi Jonah Rank
Contributed by
❧A litany of mythical guests and creatures presenting at the Passover seder. . . .
אֲדוֹן הַסְּלִיחוֹת | Adon haSeliḥot (Lord of Forgiveness), a pizmon for Seliḥot and Yom Kippur
Contributed by
❧A pizmon in the nusaḥ hasepharadim recited at Seliḥot during the monh of Elul and Yom Kippur. . . .
אֲדוֹן הַסְּלִיחוֹת | Adon haSeliḥot, a pizmon for Seliḥot and Yom Kippur with an alphabetic acrostic translation by Rabbi David de Sola Pool (1937)
Contributed by
❧An alphabetic acrostic pizmon for seliḥot and Yom Kippur with an alphabetic acrostic English translation. . . .
שַׁעֲרֵי אוֹרָה שַׁעֲרֵי בְּרָכָה | Gates of Light Gates of Blessing, a mesostic piyyut
Contributed by
❧This prayer appears on page 13-16 of Hayyim Obadya’s Seder Akhilat haSimanim for 5781. It is a variation of the piyyut Tayanu v’Tayatru albeit with a different opening line. . . .
אֱלִי צִיּוֹן וְעָרֶיהָ | Eli Tsiyon v’Areha (Mourn Zion and her cities), a ḳinah for Tishah b’Av
Contributed by
❧One of the most well-known of the kinot (liturgical poems for mourning), Eli Tsiyon v’Areha is an alphabetical acrostic describing the destruction of Jerusalem. It is recited towards the conclusion of ḳinot, due to the hopeful note in the comparison of Zion to a woman about to give birth, thought by many to be a messianic reference. The author of the work is unknown. . . .
כִּי בְּשִׁבְעָה עָשָׂר בְּתַמּוּז | Ki b’Shivah Asar b’Tamuz, a seliḥah for the 17th of Tamuz
Contributed by
❧A penitential piyyut for the fast of the 17th of Tammuz. . . .
Tabula Smaragdina (The Emerald Tablet) in Arabic and Judeo-Arabic, with Hebrew and English translations
Contributed by
❧The Tabula Smaragdina, or the Emerald Tablet, is a cryptic and compact work, part of the Technical Hermetica — a genre of mystical and magical texts of great popularity in the medieval and renaissance era. Traditionally attributed to the legendary figure Hermes Trismegistus, it is considered a foundational text for Near Eastern and European alchemy. It is the ultimate source of the popular occultist expression “as above, so below,” although that specific expression doesn’t appear in the original Arabic text as found in the ninth-century Secret of Creation. . . .
קידוש לראש חודש, לפי מסכת סופרים | A Sanctification of the New Month, reconstructed from Masekhet Soferim by Isaac Gantwerk Mayer
Contributed by
❧This is a litanic Ḳiddush for a Rosh Ḥodesh meal, constructed based on the Ḳiddush for Rosh Ḥodesh in Jerusalem as described in Masekhet Soferim chapter 19:9, mostly following the GRA’s edition. Traditionally it would be done in the presence of twelve town elders and twelve scholars of ritual purity, but today we could adapt it to be recited at a festive meal for Rosh Ḥodesh in the presence of seven — the minyan count according to the traditional Western practice recorded elsewhere in Masekhet Soferim 10:7. . . .
אֵל לִבִּי פְּתַח | El Libbi Păthaḥ — a Prayer of Yemenite Jewish Children Before Study, translated by Isaac Gantwerk Mayer
Contributed by
❧In Yemenite Jewish children’s schools, this prayer of unknown authorship is said before the lesson in unison. The teacher conducts and the children sing together to a melody. The prayer is printed in tajjim (Yemenite trilingual Pentateuch codices) before the book of Leviticus, traditionally the starting point for a child’s education. The first twenty-two lines of the prayer are an alphabetical acrostic wherein each line spells out the entire letter in which it starts. For instance, the first line spells out Alef, Lamed, and Pe, which spells out the full name of the letter Alef. This is followed by three Biblical verses all starting with the word “Good,” a brief poem in Hebrew, and a concluding passage largely in Judeo-Arabic. Here the editor has included the original text, along with a non-gendered English translation and a transcription of the Judeo-Arabic text into Arabic script. . . .
💬 דברי גד החוזה | The Words of Gad the Augur (translated and cantillated by Isaac Gantwerk Mayer)
Contributed by
❧The Words of Gad the Augur is a lost work mentioned in I Chronicles 29:29. It is also an apocryphal Hebrew work of fourteen chapters, attributed to the Jews of Cochin in India. Most famous for its unique verse for the letter נ (nūn) in its variant of Psalms 145, this text also features multiple unique midrashim, reworked Biblical texts, and Hebrew forms and names not found elsewhere. . . .
💬 ספר תולדות ישו, לפי נוסח שטרסבורג | The Book of the Generations of Yeshu, according to the Strasbourg Variant, cantillated and vocalized by Isaac Gantwerk Mayer
Contributed by
❧One of many variants of this notorious work, the Sefer Toldot Yeshu is an irreverent retelling? a bitter deconstruction? a mocking parody? of the Christian narrative of the birth, life, and death of Jesus of Nazareth. Taking its general structure from the gospels, it coöpts and alters it to make the main character look like a petty, vindictive sorcerer, his disciples into either sectarian liars or loyal rabbinic plants, and his followers into easily duped fools. Toldot Yeshu was a very popular work in medieval times, and you can tell — this sort of a text was certainly written by someone whose primary relationship with Christians was fear. It’s the bitter invective of an oppressed people without power for themselves, the dirty laundry that two thousand years of murder leaves behind. It’s also, just, like unspeakably, hilariously crude. Have a garlicky Nittel, everyone! . . .
מִימִינִי מִיכָאֵל | “Mikhael is on my right,” the angelic invocation for divine protection from the Ḳriyat Shema al haMitah
Contributed by
❧The “angels on all sides” formula included with the Bedtime Shema service in many contemporary siddurim. . . .
מה אלו | “Who are these?” — the Origin of the Angels of Healing: Sanoi, Sansanoi, and Semanglof, as told in the Alphabet of ben Sira (ca. late first millennium)
Contributed by
❧The origin story of Lilith as told in the Alphabet of ben Sira. . . .
אֲזַלַת יוֹכֶֽבֶד | Azalat Yokheved, a lamentation on the death of Mosheh (SYAP 42a, ca. 7th c.)
Contributed by
❧Azalat Yokheved is part of a whole genre of midrashic works suggesting Yokheved lived to see her son die — a concept even found in the Ethiopian literature. With repeated refrains, it emphasizes the desperate search of a mother trying to find her son, retracing all her steps and desperately asking everyone she can. But just as Moshe’s journey to the Promised Land ends without a conclusion, so too Yokheved never finds her Moshe. It’s been translated preserving monorhyme scheme. Taken from Sokoloff and Yahalom’s Jewish Palestinian Aramaic Poetry from Late Antiquity (2018), it is presented here vocalized with an original translation. . . .
אֲזַלַת בְּכִיתָא | Azalat Bekhita, a lamentation on the death of Mosheh (SYAP 41, ca. 7th c.)
Contributed by
❧Azalat Bekhita, is probably incomplete, extending only to ḥeth in known manuscripts. It features multiple people, places, and things important in Moshe’s life taking turns to eulogize him. It’s been translated preserving the acrostic and monorhyme scheme. Taken from Sokoloff and Yahalom’s Jewish Palestinian Aramaic Poetry from Late Antiquity (2018), it is presented here vocalized with an original translation. . . .
אֲמַר קִירִיס לְמֹשֶׁה | Amar Kiris l-Mosheh, a lamentation on the death of Mosheh (SYAP 40, ca. 7th c.)
Contributed by
❧Amar Kiris l-Moshe, is a midrashic narrative of Moshe going to Adam to ask why he cursed humanity with death. It’s been translated preserving the acrostic and monorhyme scheme. Taken from Sokoloff and Yahalom’s “Jewish Palestinian Aramaic Poetry from Late Antiquity,” it is presented here vocalized with an original translation. . . .
תָּנוּן שְׁבָחֵיהּ | Tanun Shvaḥeih (Tell the Praise) — a piyyut for the Seder Meturgeman of the 7th Day of Pesaḥ
Contributed by
❧This piyyut, Tanun Shvaḥeih (Tell the Praise), the eighth in a series of Aramaic piyyutim from the seventh day of Pesaḥ, is meant to be recited as an introduction to the Targum of Exodus 15:18, the famous verse “Adonai yimlokh l-‘olam va-‘ed.” The English translation preserves the Hebrew acrostic of the Aramaic. . . .
אֵל אָדוֹן (אשכנז) | El Adōn, a piyyut attributed to the Yordei Merkavah (interpretive translation by Rabbi Zalman Schachter-Shalomi)
Contributed by
❧The piyyut, El Adon, in Hebrew with an interpretive “praying translation” by Rabbi Zalman Schachter-Shalom, z”l. . . .
אֵל אָדוֹן (מנהג הספרדים) | El Adōn, a piyyut attributed to the Yordei Merkavah (translation by Sara-Kinneret Lapidot)
Contributed by
❧The piyyut, El Adon, in Hebrew with an English translation. . . .